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In Greek mythology Talos was a large, bronze automaton who could only be defeated by removing a piece of вЂњskinвЂќ from his ankle, thus leaking out his life force. In Jason and the Argonauts, Hercules and Hylas do battle with Talos, a massive bronze statue, after they make off with a bunch of treasure. HarryhausenвЂ™s Medusa changed the way we think about this mythical creatureДЄs much as Harryhausen pulled from mythology to create his awesome stop motion monsters, he had no problem making as many changes as he needed to affix the inventions to his personal vision. Some days I was producing less than one second of screen time in the end the whole sequence took a record four and a half months.

This meant at least 35 animation movements, each synchronized to the actors' movements. I had three men fighting seven skeletons, and each skeleton had five appendages to move in each separate frame of film. What follows is a sequence of which I am very proud. When all the skeletons have manifested themselves to Jason and his men, they are commanded by Acetes to вЂKill, kill, kill them all,вЂ™ and we hear an unearthly scream. The remaining one was a veteran from The Seventh Voyage of Sinbad, slightly repainted to match the new members of the family. According to Harryhausen, the work was so labor intensive that some days he only shot one second of screen time, he explained: Each of the model skeletons was about eight to 10 inches high, and six of the seven were made for the sequence. He had to shoot the scene, frame by frame, and wait for the film to return before he knew if he nailed it. The scene is all the more majestic when you realize that Harryhausen basically had to do the whole thing without being able to check his work. The sequence that follows is one of the most technically marvelous scenes of HarryhausenвЂ™s career, with each skeleton featuring multiple components and a variety of moves in order to make the creatures look life like. After defeating the Hydra, the creatureвЂ™s teeth fall to the ground and turn into skeletons.

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The stop motion magician had already given audiences one animated skeleton in The 7th Voyage Of Sinbad, but creating a full army was a whole other process. One of the most impressive effects created by Harryhausen is the group of seven sword wielding skeletons from Jason and The Argonauts. The skeleton army is his greatest creation But the loneliness, accompanied by much frustration and pain, was always outweighed by the excitement of seeing my creatures move in the same 'reality' as humans. Harryhausen described the long, lonely hours of stop motion animation: It is a lonely profession, at least it was when I worked on my pictures. took Harryhausen nine months, and even while farming out the molding and modeling work it took him two years to complete work on Jason and the Argonauts. Working with such a small crew, it could take months for Harryhausen to complete his effects. His father worked with him to create the metal armatures for the models and his mother helped create many of the costumes for the miniatures. When Harryhausen was hired onto a film he was there from pre-production to the final editing of the films, essentially he was a co-director on many of his most important movies even if he never received the credit.ДЄs heavily involved in the making of his films as Harryhausen was, he didnвЂ™t do all of the вЂњDynamotionвЂќ work by himself.

Even though Harryhausen is mostly credited as an associate producer, producer, and effects person on his films he was paramount in the process of filming whatever he was working on. Harryhausen perfected stop motion animation, but for much of his career the process was referred to as вЂњDynamotion,вЂќ a term coined by his producing partner Charles H.

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